This week’s readings focused on the Civil War,
mostly from the Confederate viewpoint, the issue of slavery in several forms
and an ex-slave who settled in Los Angeles and became a midwife until her
death.
Tony
Horwitz wrote Confederates in the Attic
as a narrative of his personal journey into the Confederacy during the Civil
war, and how that mentality did not die with the end of the war. He book begins with him explaining to his
reader how he became interested in the Civil War. His father, during bedtime, had read to him The Photographic History of the Civil War.
(pg. 4) His interest peaked when he was
an adult and had the opportunity to meet some “hardcore” re-enactors during one
of their battles. The “hardcore”
re-enactors were the ones who were so dedicated to their roles that they purposely
lost a great deal of weight, along with making sure that they only ate food
that the Confederate soldiers had access to during the war. (pg. 7) For the “hardcore” people, weight loss was a
vital key because they wanted to look as authentic as possible, and the Confederate
soldiers were not at a healthy weight when they fought.
The
author was inspired to go on a personal journey around the old South and visit
the Confederate sites for himself. One
of the places he visited was a saloon called Redbone’s Saloon in Tennessee. The Saloon was full of Confederate memorabilia,
including a hand written poem on the wall.
It was 1865, homes burnt to the ground,
Everything lost, I took my stand.
Riding through the fog,
Rebel
flag in hand,
Fighting for my freedom,
Fighting for my land. (pg. 90)
The poem expressed the sentiments of the people
whom he had met on his trip. The South
was always worth fighting for, even when you have nothing left. You fight on.
The major event that
occurred in our readings was the trial of a black man, named Freddie, who was accused
on killing a white man, Michael Westerman. (pg. 93) The trial divided an already divided town,
and the judge had to decide the verdict because a jury could not be found that
was not overwhelmingly supportive of the prosecution. The defendant, Freddie, had hoped that he
would be not guilty because the state had tainted evidence, but his hopes were
dashed when the state presented two witnesses to his guilt. Hannah Westerman and Tony Andrews testified
against him. (pg. 119) Tony was in the
car with Freddie at the time of the shooting and he testified that Freddie had
shot Michael Westerman. (pg. 120)
Freddie was found guilty of murder, among other charges, and he was
sentenced to life imprisonment for his crimes.
Michael Westerman’s mother was satisfied with the verdict, but she told
reporters that “they deserved to die.” (pg. 122)
The other major event
that occurred in the reading occurred at the end, when the author participated
in the Battle of the Wilderness. (pg. 125)
He joined the Confederacy during the battle, and he enjoyed his time
fighting with the “hardcore” veterans who had invited him to fight with them. After two days, the battle was over. His wife noted that “after these battles, all
the soldiers’ just get up and walk away,” as well as noting that “in real life,
it didn’t happen that way. Glory had a
cost.” (pg. 143) While the re-enactors
could recreate the experience of being in camp, and fighting the way that the
real Confederate troops fought, they still got to go home at the end of the
day. Their counterparts were not so
lucky.
The topic of slavery
dominated this week’s readings. The
website Songs of Confederate Veterans is dedicated to preserving the
Confederate heritage, as they explained it.
For them, a violation of Confederate heritage was unacceptable, and
there was a form that should be filled out and submitted if the viewer saw a
violation of their heritage. A violation
was described as an attack on Confederate heritage, the Confederate flag, and
any Confederate monuments or symbols.
The site failed to
mention the topic of slavery; instead they provided the visitor with a store in
which to purchase items to display their pride in the Confederacy. Southern music options, clothing, DVDs, pins
and gifts are available for purchase.
The gifts include cards, license plates, note pads, and the southern
cross of honor grave marker.
The University of
Virginia provides an article by Jerome Handler and Michael Tuite, Jr entitled Retouching History: The Modern Falsification
of a Civil War Photograph. The
photograph in question is of a group of black Union soldiers posing in a room
with their white officer. The original
photo was taken in the room, but it was used as a recruitment poster for the
Federal Army. The poster depicted the
same group of men, only this time they were in front of a tent and American flag,
standing near a battlefield. This was
much more heroic then a group of men standing in a room together.
The same photo was taken
by the Confederacy and used for recruitment by the Confederacy in
Louisiana. This time, the photo was
cropped so that the white officer, in Union uniform, was taken out of the
picture. The group was named the 1st
Louisiana Native Guard. This was a show
to prove that African Americans were fighting for the South, their home. This played into the lost cause ideology
because it showed that Civil War was not about slavery at all, the slaves did
fight for the South.
The article A White Man Remembers Slavery in the
Shenandoah Valley was an interesting article. It was a reprint of an interview taken from
Jacob Coffman before he died. The
article was a series of mini stories of the encounters Mr. Coffman had with the
slaves who lived around him. It told the
good, and mostly the bad stories that he had to tell. One of the stories was about the time he met
a slave who was driving a four horse team.
They talked while the slave adjusted the harness. The slave mentioned how he wished it was “Chrismus’.” When asked why he wished it was Christmas the
slave responded that on Chrismus’ they were given flour bread. This was their reward for their hard work
over the course of the year. Flour
bread.
Another one of his
stories was about two slaves who ran away from their master. A $50 reward was placed for them, and the
slaves were soon found and returned to the master. The master whipped them until their backs
were raw, then he poured salt and pepper into the wounds to make his
point. Never run away from me again.
Not all of the stories
were bad. Mr. Coffman told a story about
a slave master he heard about that allowed his slaves to grow melons and sell
them for their own source of income. He
even allowed his slaves to have parties and get-togethers at their houses. He treated them well, but he was in the
minority of slave owners in the area.
Never Mind the Slavery, Have You Dipped A Candle Yet? is an article
published by the Histsoriann on February 12, 2009. The article focused on the topic of North
Carolina plantation house museums which rarely mentioned the topic of slavery
to their visitors. The topic of slavery seemed to be put on the backburner,
while the topics of architecture and gardens were discussed. The question posed in the article was what
was the use of historic sites and house museums. Was their purpose to allow the visitor to
admire a high-style material culture, or was it to allow the visitor to learn
about the lives of all of the people in a given time period? The author of the article argued that the
latter was the correct interpretation, which by ignoring a piece of history,
even a controversial piece, was a dishonor to the visitor. Let the visitor decided for themselves what
they wanted to learn about.
Our final reading came
from The Power of Place by Dolores
Hayden. The chapter focused on her
foundation, the Power of Place’s campaign to reclaim the land that once held
Biddy Mason’s homestead when she arrived in Los Angeles. The site had been lost when her son failed to
convert the building into a community center for African American youths. (pg.
170) A group had approached the Power of
Place with their proposal of placing a plaque at the site, but that they were
open to other possibilities. The Power
of Place jumped into action, in an effort to reclaim the land, which was now a
parking lot. (pg. 171) The Power of Place
used four works of art to publicize their efforts. A poster, created by Sheila de Bretteville,
was distributed around the community that showed the history of the site, and
why it was important to save. Another
work of art used by the Power of Place was created by author, who wrote about
the subject of midwifery (Biddy Mason’s profession). Susan King wrote a book titled HOME/stead which told Biddy Mason’s
story. Rubbings taken from the
gravestones in the area were also included. (pg. 176) Finally, an eighty-one foot long wall was
constructed. The wall told the story of Los Angeles’
development from a Mexican settlement into the city that it was at the
time. The wall also showed Biddy Mason’s
walk across the country when she moved from the South to Los Angeles. (pg. 181)
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| Biddy Mason, Courtesy of Google Images |




Your summaries of the readings are short and to the point. The poem from Redbone's Saloon really does fit the persona of the South.
ReplyDeleteI thought the use of a wall to tell the history of LA and Biddy Mason was a great idea. Most people aren't always willing to go into a museum to learn history. By taking the history to them it allows for a broader audience.
ReplyDeleteI liked that you said, "The South was always worth fighting for, even when you have nothing left. You fight on." If you have ever been to the South, it is beautiful and worth the fight, but more so, the thought of an invasion against them by Northern states and the desire to defend their family drove these men to fight on. Great observation about "The Cause"
ReplyDelete